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“All the great performers had something in their eyes,” Dylan writes in Chronicles. And I wanted to be that kind of performer.” Chronicles is a marvellous book, probably the only one you really need to read about Dylan. It will follow you the rest of your life,” he wrote in a 1964 prose poem, “Advice For Geraldine on Her Miscellaneous Birthday”, concluding with the command, “When asked t’give your real name… What is important, as Dylan himself says, has been “for me to come to the bottom of this legend thing, which has no reality at all.It is a masterful example of Dylan telling you exactly what he wants you to know, and nothing more; a book that casts extraordinary light on his upbringing, his creative processes and the artistic forces that shaped him – and possibly his talent for fabrication – while remaining opaque about his personal life and circumstances. never give it.” The following year, asked at a press conference whether it was true that he’d changed his name, he confessed that indeed he had. What’s important isn’t the legend, but the art, the work”. It was 1984, a time when Dylan was emerging from his born-again Christian phase which had so bewildered his fans.
Ten years later, 10 years before, it wouldn’t have happened, I don’t think. If I was starting out now I don’t know where I’d get the inspiration from, because you need to breathe the right air to make that creative process work.” In the Sixties, he would write a song like Masters of War and move on to the next one without a second thought. “If I wrote a song like that now I wouldn’t feel I’d have to write another one for two weeks.
There was something at that time with that particular song that I’ve never been able to improve on.
I Was Young When I Left Home is a reinterpretation of a standard, 900 Miles.
It is a song far beyond his years, and it carries portents of some of the themes that would come to define Dylan, with its intimations of twists of fate, the need to move on and not be tied to the past – not be tied to anything – the sense, in the words of Thomas Wolfe, that you can’t go home again.
Everybody has their own version of Bob Dylan, and everybody thinks they know him better than anybody else.
There is a marvellous section in Dylan’s memoir, Chronicles Volume One, where he describes a period in New York in the early Sixties spent crashing in the apartment of a friend named Ray.A Tale of Two Cities was written 100 years ago; is that 'nostalgia’? “What it comes down to is that there’s a lot of different gods in the world against God – that’s really what it’s all about. It’s all there in the Book of Revelation, for me anyway, but it’s difficult talking about these things because most people don’t know what you’re talking about anyway, or don’t want to listen.This term, 'nostalgic’,” he said, “is just another way people have of putting you some place they think they understand” – another one of the labels that people had been putting on him since he started out – “and not one of them has ever made any sense.” “Born-again Christian” was another one. There’s a lot of different gods that people are subjects of. But then again, I don’t think that makes me a pessimistic person.Dylan describes poring over his friend’s bookshelves; Gogol, Balzac, Foxe’s Book of Martyrs, Pericles’s Ideal State of Democracy and Thucydides’s The Athenian General – “a narrative that would give you thrills”.There are books on Amazon women, Frederick the Great and Clausewitz, the philosopher of war, who “looks like Montgomery Clift”. I don’t really want to tell you what the last name was.” The sly evasion, the straight-faced put-down and the outright lie became his first line of defence.“Gonna make me a home out in the wind,” as Dylan sings.Tags: Adult Dating, affair dating, sex dating